Alumni

Into the Bendigo Art Gallery light

Karen Annett-Thomas has a room of her own in the Bendigo Art Gallery. Photograph by Louise Firli

Karen Annett-Thomas has a room of her own in the Bendigo Art Gallery. Photograph by Louise Firli

One of the works in Out of Winter. Photograph by Ian Hill

One of the works in Out of Winter. Photograph by Ian Hill

If you could peel back the layers of Karen Annett-Thomas’ paintings you might just find gold. Like the fortune seekers that came and turned our landscape upside down, Karen has likewise mined it. Figuratively speaking.

“I see the layers of history, time and place, and my paintings are like that as well,” she says. “They’re layered up. They’re like Chinese whispers.”

They’re quietly waiting on the Bendigo Art Gallery walls to be shown as the second Going Solo exhibition. It’s a coveted show dedicated to one local artist. Karen has exhibited widely, but says being chosen for this show is something very special.

“For any artist, this is an amazing space, and there’s such a high calibre of art shown here,” she says, noting Ron Mueck’s Pregnant Woman sculpture in the next room. “It’s also been amazing to have curatorial support. I’ve learnt a lot through that process.”

Gallery curator Clare Needham visited Karen in her home studio during the year-long process of making these works, then helped make the final selection.

These paintings were made from spring to spring, and the changing seasons can be felt in the pigments, many of them taken straight from the box ironbark forest surrounding Bendigo. Earth, charcoal, even the dry, hollow husks of dead birds. Karen combines them with wax, oils and hand-made painting mediums. Memory and emotion.

“I spend quite a lot of time bushwalking, and these paintings are a reflection of those experiences,” Karen says. “I see what the bush looks like now in the present moment, but I’m really conscious of what it would have been like and how we’ve changed it. These pictures draw on that experience of what I’m thinking in those places.”

Karen adopted the same principle for her PhD works, completed during her studies with La Trobe’s Bendigo campus in 2006.

She took up an arts residency in London during the last year of her PhD, and spent time on the battle fields of the Western Front in France. Again she gathered pigments from that place, and created a series of works that explored memory, loss and absence. Those intangible truths just below the surface.

“I find that here all the time, too,” she says, of Bendigo’s turned-over earth.

This current show is called Out of Winter. Karen speaks of working in her home studio – a re-purposed shed she shares with her mechanic husband, with no heating, no insulation. Winter’s chill can be felt in the works.

And then there’s a warm splash of yellow. Of hope and healing. It speaks of coming out of the cold and into the light. In this case, the lovely soft glow of Bendigo’s much-loved gallery.

Karen Annett-Thomas is an honorary associate with the La Trobe Arts Institute. She also works at the La Trobe Visual Arts Centre. Out of Winter will be on show at the Bendigo Art Gallery from November 28 until February 21.

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